Big Blonde
—
written by Dorothy Parker (1929) and narrated by Cynthia Nixon —

 

“Hey, listen,” he would say, “I got worries of my own, and plenty. Nobody wants to hear other people’s troubles, sweetie. What you got to do, you got to be a sport and forget it. See? Well, slip us a little smile, then. That’s my girl.”

She never had enough interest to quarrel with him as she had with Herbie, but she wanted the privilege of occasional admitted sadness. It was strange. The other women she saw did not have to fight their moods. There was Mrs. Florence Miller who got regular crying jags, and the men sought only to cheer and comfort her. The others spent whole evenings in grieved recitals of worries and ills; their escorts paid them deep sympathy. But she was instantly undesirable when she was low in spirits. Once, at Jimmy’s, when she could not make herself lively, Ed had walked out and left her.

“Why the hell don’t you stay home and not go spoiling everybody’s evening?” he had roared.

Even her slightest acquaintances seemed irritated if she were not conspicuously light-hearted.

“What’s the matter with you, anyway?” they would say. “Be your age, why don’t you? Have a little drink and snap out of it.”

When her relationship with Ed had continued nearly three years, he moved to Florida to live. He hated leaving her; he gave her a large check and some shares of a sound stock, and his pale eyes were wet when he said good-by. She did not miss him. He came to New York infrequently, perhaps two or three times a year, and hurried directly from the train to see her. She was always pleased to have him come and never sorry to see him go.

Charley, an acquaintance of Ed’s that she had met at Jimmy’s, had long admired her. He had always made opportunities of touching her and leaning close to talk to her. He asked repeatedly of all their friends if they had ever heard such a fine laugh as she had. After Ed left, Charley became the main figure in her life. She classified him and spoke of him as “not so bad.” There was nearly a year of Charley; then she divided her time between him and Sydney, another frequenter of Jimmy’s; then Charley slipped away altogether.

Sydney was a little, brightly dressed, clever Jew. She was perhaps nearest contentment with him. He amused her always; her laughter was not forced.

He admired her completely. Her softness and size delighted him. And he thought she was great, he often told her, because she kept gay and lively when she was drunk.

“Once I had a gal,” he said, “used to try and throw herself out of the window every time she got a can on. Jesus,” he added, feelingly.

Then Sydney married a rich and watchful bride, and then there was Billy. No—after Sydney came Ferd, then Billy. In her haze, she never recalled how men entered her life and left it. There were no surprises. She had no thrill at their advent, nor woe at their departure. She seemed to be always able to attract men. There was never another as rich as Ed, but they were all generous to her, in their means.

Once she had news of Herbie. She met Mrs. Martin dining at Jimmy’s, and the old friendship was vigorously renewed. The still admiring Joe, while on a business trip, had seen Herbie. He had settled in Chicago, he looked fine, he was living with some woman—seemed to be crazy about her. Mrs. Morse had been drinking vastly that day. She took the news with mild interest, as one hearing of the sex peccadilloes of somebody whose name is, after a moment’s groping, familiar.

“Must be damn near seven years since I saw him,” she commented. “Gee. Seven years.”

More and more, her days lost their individuality. She never knew dates, nor was sure of the day of the week.

“My God, was that a year ago!” she would exclaim, when an event was recalled in conversation.

She was tired so much of the time. Tired and blue. Almost everything could give her the blues. Those old horses she saw on Sixth Avenue—struggling and slipping along the car-tracks, or standing at the curb, their heads dropped level with their worn knees. The tightly stored tears would squeeze from her eyes as she teetered past on her aching feet in the stubby, champagne-colored slippers.

The thought of death came and stayed with her and lent her a sort of drowsy cheer. It would be nice, nice and restful, to be dead.

There was no settled, shocked moment when she first thought of killing herself; it seemed to her as if the idea had always been with her. She pounced upon all the accounts of suicides in the newspapers. There was an epidemic of self-killings—or maybe it was just that she searched for the stories of them so eagerly that she found many. To read of them roused reassurance in her; she felt a cozy solidarity with the big company of the voluntary dead.

She slept, aided by whisky, till deep into the afternoons, then lay abed, a bottle and glass at her hand, until it was time to dress to go out for dinner. She was beginning to feel towards alcohol a little puzzled distrust, as toward an old friend who has refused a simple favor. Whisky could still soothe her for most of the time, but there were sudden, inexplicable moments when the cloud fell treacherously away from her, and she was sawed by the sorrow and bewilderment and nuisance of all living. She played voluptuously with the thought of cool, sleepy retreat. She had never been troubled by religious belief and no vision of an after-life intimidated her. She dreamed by day of never again putting on tight shoes, of never having to laugh and listen and admire, of never more being a good sport. Never.

But how would you do it? It made her sick to think of jumping from heights. She could not stand a gun. At the theater, if one of the actors drew a revolver, she crammed her fingers into her ears and could not even look at the stage until after the shot had been fired. There was no gas in her flat. She looked long at the bright blue veins in her slim wrists—a cut with a razor blade, and there you’d be. But it would hurt, hurt like hell, and there would be blood to see. Poison—something tasteless and quick and painless—was the thing. But they wouldn’t sell it to you in drugstores, because of the law.

She had few other thoughts.

There was a new man now—Art. He was short and fat and exacting and hard on her patience when he was drunk. But there had been only occasionals for some time before him, and she was glad of a little stability. Too, Art must be away for weeks at a stretch, selling silks, and that was restful. She was convincingly gay with him, though the effort shook her.

“The best sport in the world,” he would murmur, deep in her neck. “The best sport in the world.”

One night, when he had taken her to Jimmy’s, she went into the dressing-room with Mrs. Florence Miller. There, while designing curly mouths on their faces with lip-rouge, they compared experiences of insomnia.

“Honestly,” Mrs. Morse said, “I wouldn’t close an eye if I didn’t go to bed full of Scotch. I lie there and toss and turn and toss and turn. Blue! Does a person get blue lying awake that way!”

“Say, listen Hazel,” Mrs. Miller said, impressively, “I’m telling you I’d be awake for a year if I didn’t take veronal. That stuff makes you sleep like a fool.”

“Isn’t it poison, or something?” Mrs. Morse asked.

“Oh, you take too much and you’re out for the count,” said Mrs. Miller. “I just take five grains—they come in tablets. I’d be scared to fool around with it. But five grains, and you cork off pretty.”

“Can you get it anywhere?” Mrs. Morse felt superbly Machiavellian.

“Get all you want in Jersey,” said Mrs. Miller. “They won’t give it to you here without you have a doctor’s prescription. Finished? We’d better go back and see what the boys are doing.”

That night, Art left Mrs. Morse at the door of her apartment; his mother was in town. Mrs. Morse was still sober, and it happened that there was no whisky left in her cupboard. She lay in bed, looking up at the black ceiling.

She rose early, for her, and went to New Jersey. She had never taken the tube, and did not understand it. So she went to the Pennsylvania Station and bought a railroad ticket to Newark. She thought of nothing in particular on the trip out. She looked at the uninspired hats of the women about her and gazed through the smeared window at the flat, gritty scene.

In Newark, in the first drug-store she came to, she asked for a tin of talcum powder, a nailbrush, and a box of veronal tablets. The powder and the brush were to make the hypnotic seem also a casual need. The clerk was entirely unconcerned. “We only keep them in bottles,” he said, and wrapped up for her a little glass vial containing ten white tablets, stacked one on another.

She went to another drug-store and bought a face-cloth, an orange-wood stick, and a bottle of veronal tablets. The clerk was also uninterested.

“Well, I guess I got enough to kill an ox,” she thought, and went back to the station.

At home, she put the little vials in the drawer of her dressing-table and stood looking at them with a dreamy tenderness.

“There they are, God bless them,” she said, and she kissed her fingertip and touched each bottle.

The colored maid was busy in the living-room.

“Hey, Nettie,” Mrs. Morse called. “Be an angel, will you? Run around to Jimmy’s and get me a quart of Scotch.”

She hummed while she awaited the girl’s return.

During the next few days, whisky ministered to her as tenderly as it had done when she first turned to its aid. Alone, she was soothed and vague, at Jimmy’s she was the gayest of the groups. Art was delighted with her.

Then, one night, she had an appointment to meet Art at Jimmy’s for an early dinner. He was to leave afterward on a business excursion, to be away for a week. Mrs. Morse had been drinking all the afternoon; while she dressed to go out, she felt herself rising pleasurably from drowsiness to high spirits. But as she came out into the street the effects of the whisky deserted her completely, and she was filled with a slow, grinding wretchedness so horrible that she stood swaying on the pavement, unable for a moment to move forward. It was a gray night with spurts of mean, thin snow, and the streets shone with dark ice. As she slowly crossed Sixth Avenue, consciously dragging one foot past the other, a big, scarred horse pulling a rickety express-wagon crashed to his knees before her. The driver swore and screamed and lashed the beast insanely, bringing the whip back over his shoulder for every blow, while the horse struggled to get a footing on the slippery asphalt. A group gathered and watched with interest.

Art was waiting, when Mrs. Morse reached Jimmy’s.

“What’s the matter with you, for God’s sake?” was his greeting to her.

“I saw a horse,” she said. “Gee, I—a person feels sorry for horses. I—it isn’t just horses. Everything’s kind of terrible, isn’t it? I can’t help getting sunk.”

“Ah, sunk, me eye,” he said. “What’s the idea of all the bellyaching? What have you got to be sunk about?”

“I can’t help it,” she said.

“Ah, help it, me eye,” he said. “Pull yourself together, will you? Come on and sit down, and take that face off you.”

She drank industriously and she tried hard, but she could not overcome her melancholy. Others joined them and commented on her gloom, and she could do no more for them than smile weakly. She made little dabs at her eyes with her handkerchief, trying to time her movements so they would be unnoticed, but several times Art caught her and scowled and shifted impatiently in his chair.

When it was time for him to go to his train, she said she would leave, too, and go home.

“And not a bad idea, either,” he said. “See if you can’t sleep yourself out of it. I’ll see you Thursday. For God’s sake, try and cheer up by then, will you?”

“Yeah,” she said. “I will.”

In her bedroom, she undressed with a tense speed wholly unlike her usual slow uncertainty. She put on her nightgown, took off her hair-net and passed the comb quickly through her dry, vari-colored hair. Then she took the two little vials from the drawer and carried them into the bathroom. The splintering misery had gone from her, and she felt the quick excitement of one who is about to receive an anticipated gift.

She uncorked the vials, filled a glass with water and stood before the mirror, a tablet between her fingers. Suddenly she bowed graciously to her reflection, and raised the glass to it.

“Well, here’s mud in your eye,” she said.

The tablets were unpleasant to take, dry and powdery and sticking obstinately half-way down her throat. It took her a long time to swallow all twenty of them. She stood watching her reflection with deep, impersonal interest, studying the movements of the gulping throat. Once more she spoke aloud.

“For God’s sake, try and cheer up by Thursday, will you?” she said. “Well, you know what he can do. He and the whole lot of them.”

She had no idea how quickly to expect effect from the veronal. When she had taken the last tablet, she stood uncertainly, wondering, still with a courteous, vicarious interest, if death would strike her down then and there. She felt in no way strange, save for a slight stirring of sickness from the effort of swallowing the tablets, nor did her reflected face look at all different. It would not be immediate, then; it might even take an hour or so.

She stretched her arms high and gave a vast yawn.

“Guess I’ll go to bed,” she said. “Gee, I’m nearly dead.”

That struck her as comic, and she turned out the bathroom light and went in and laid herself down in her bed, chuckling softly all the time.

“Gee, I’m nearly dead,” she quoted. “That’s a hot one!”

 

 

III

Nettie, the colored maid, came in late the next afternoon to clean the apartment, and found Mrs. Morse in her bed. But then, that was not unusual. Usually, though, the sounds of cleaning waked her, and she did not like to wake up. Nettie, an agreeable girl, had learned to move softly about her work.

But when she had done the living-room and stolen in to tidy the little square bedroom, she could not avoid a tiny clatter as she arranged the objects on the dressing-table. Instinctively, she glanced over her shoulder at the sleeper, and without warning a sickly uneasiness crept over her. She came to the bed and stared down at the woman lying there.

Mrs. Morse lay on her back, one flabby, white arm flung up, the wrist against her forehead. Her stiff hair hung untenderly along her face. The bed covers were pushed down, exposing a deep square of soft neck and a pink nightgown, its fabric worn uneven by many launderings; her great breasts, freed from their tight confiner, sagged beneath her arm-pits. Now and then she made knotted, snoring sounds, and from the corner of her opened mouth to the blurred turn of her jaw ran a lane of crusted spittle.

“Mis’ Morse,” Nettie called. “Oh, Mis’ Morse! It’s terrible late.”

Mrs. Morse made no move.

“Mis’ Morse,” said Nettie. “Look, Mis’ Morse. How am I goin’ get this bed made?”

Panic sprang upon the girl. She shook the woman’s hot shoulder.

“Ah, wake up, will you?” she whined. “Ah, please wake up.”

Suddenly the girl turned and ran out in the hall to the elevator door, keeping her thumb firm on the black, shiny button until the elderly car and its Negro attendant stood before her. She poured a jumble of words over the boy, and led him back to the apartment. He tiptoed creakingly in to the bedside; first gingerly, then so lustily that he left marks in the soft flesh, he prodded the unconscious woman.

“Hey, there!” he cried, and listened intently, as for an echo.

“Jeez. Out like a light,” he commented.

At his interest in the spectacle, Nettie’s panic left her. Importance was big in both of them. They talked in quick, unfinished whispers, and it was the boy’s suggestion that he fetch the young doctor who lived on the ground floor. Nettie hurried along with him. They looked forward to the limelit moment of breaking their news of something untoward, something pleasurably unpleasant. Mrs. Morse had become the medium of drama. With no ill wish to her, they hoped that her state was serious, that she would not let them down by being awake and normal on their return. A little fear of this determined them to make the most, to the doctor, of her present condition. “Matter of life and death,” returned to Nettie from her thin store of reading. She considered startling the doctor with the phrase.

The doctor was in and none too pleased at interruption. He wore a yellow and blue striped dressing-gown, and he was lying on his sofa, laughing with a dark girl, her face scaly with inexpensive powder, who perched on the arm. Half-emptied highball glasses stood beside them, and her coat and hat were neatly hung up with the comfortable implication of a long stay.

Always something, the doctor grumbled. Couldn’t let anybody alone after a hard day. But he put some bottles and instruments into a case, changed his dressing-gown for his coat and started out with the Negroes.

“Snap it up there, big boy,” the girl called after him. “Don’t be all night.”

The doctor strode loudly into Mrs. Morse’s flat and on to the bedroom, Nettie and the boy right behind him. Mrs. Morse had not moved; her sleep was as deep, but soundless, now. The doctor looked sharply at her, then plunged his thumbs into the lidded pits above her eyeballs and threw his weight upon them. A high, sickened cry broke from Nettie.

“Look like he tryin’ to push her right on through the bed,” said the boy. He chuckled.

Mrs. Morse gave no sign under the pressure. Abruptly the doctor abandoned it, and with one quick movement swept the covers down to the foot of the bed. With another he flung her nightgown back and lifted the thick, white legs, cross-hatched with blocks of tiny, iris-colored veins. He pinched them repeatedly, with long, cruel nips, back of the knees. She did not awaken.

“What’s she been drinking?” he asked Nettie, over his shoulder.

With the certain celerity of one who knows just where to lay hands on a thing, Nettie went into the bathroom, bound for the cupboard where Mrs. Morse kept her whisky. But she stopped at the sight of the two vials, with their red and white labels, lying before the mirror. She brought them to the doctor.

“Oh, for the Lord Almighty’s sweet sake!” he said. He dropped Mrs. Morse’s legs, and pushed them impatiently across the bed. “What did she want to go taking that tripe for? Rotten yellow trick, that’s what a thing like that is. Now we’ll have to pump her out, and all that stuff. Nuisance, a thing like that is; that’s what it amounts to. Here, George, take me down in the elevator. You wait here, maid. She won’t do anything.”

“She won’t die on me, will she?” cried Nettie.

“No,” said the doctor. “God, no. You couldn’t kill her with an ax.”

 

 

IV

After two days, Mrs. Morse came back to consciousness, dazed at first, then with a comprehension that brought with it the slow, saturating wretchedness.

“Oh, Lord, oh, Lord,” she moaned, and tears for herself and for life striped her cheeks.

Nettie came in at the sound. For two days she had done the ugly, incessant tasks in the nursing of the unconscious, for two nights she had caught broken bits of sleep on the living-room couch. She looked coldly at the big, blown woman in the bed.

“What you been tryin’ to do, Mis’ Morse?” she said. “What kind of work is that, takin’ all that stuff?”

“Oh, Lord,” moaned Mrs. Morse, again, and she tried to cover her eyes with her arms. But the joints felt stiff and brittle, and she cried out at their ache.

“That’s no way to act, takin’ them pills,” said Nettie. “You can thank your stars you here at all. How you feel now?”

“Oh, I feel great,” said Mrs. Morse. “Swell, I feel.”

Her hot, painful tears fell as if they would never stop.

“Tha’s no way to take on, cryin’ like that,” Nettie said. “After what you done. The doctor, he says he could have you arrested, doin’ a thing like that. He was fit to be tied, here.”

“Why couldn’t he let me alone?” wailed Mrs. Morse. “Why the hell couldn’t he have?”

“That’s terrible, Mis’ Morse, swearin’ an’ talkin’ like that,” said Nettie, “after what people done for you. Here I ain’t had no sleep at all for two nights, and had to give up goin’ out to my other ladies!”

“Oh, I’m sorry, Nettie,” she said. “You’re a peach. I’m sorry I’ve given you so much trouble. I couldn’t help it. I just got sunk. Didn’t you ever feel like doing it? When everything looks just lousy to you?”

“I wouldn’ think of no such thing,” declared Nettie. “You got to cheer up. That’s what you got to do. Everybody’s got their troubles.”

“Yeah,” said Mrs. Morse. “I know.”

“Come a pretty picture card for you,” Nettie said. “Maybe that will cheer you up.”

She handed Mrs. Morse a post-card. Mrs. Morse had to cover one eye with her hand, in order to read the message; her eyes were not yet focusing correctly.

It was from Art. On the back of a view of the Detroit Athletic Club he had written: “Greeting and salutations. Hope you have lost that gloom. Cheer up and don’t take any rubber nickles. See you on Thursday.”

She dropped the card to the floor. Misery crushed her as if she were between great smooth stones. There passed before her a slow, slow pageant of days spent lying in her flat, of evenings at Jimmy’s being a good sport, making herself laugh and coo at Art and other Arts; she saw a long parade of weary horses and shivering beggars and all beaten, driven, stumbling things. Her feet throbbed as if she had crammed them into the stubby champagne-colored slippers. Her heart seemed to swell and harden.

“Nettie,” she cried, “for heaven’s sake pour me a drink, will you?”

The maid looked doubtful.

“Now you know, Mis’ Morse,” she said, “you been near dead. I don’t know if the doctor he let you drink nothin’ yet.”

“Oh, never mind him,” she said. “You get me one, and bring in the bottle. Take one yourself.”

“Well,” said Nettie.

She poured them each a drink, deferentially leaving hers in the bathroom to be taken in solitude, and brought Mrs. Morse’s glass in to her.

Mrs. Morse looked into the liquor and shuddered back from its odor. Maybe it would help. Maybe, when you had been knocked cold for a few days, your very first drink would give you a lift. Maybe whisky would be her friend again. She prayed without addressing a God, without knowing a God. Oh, please, please, let her be able to get drunk, please keep her always drunk.

She lifted the glass.

“Thanks, Nettie,” she said. “Here’s mud in your eye.”

The maid giggled. “That’s the way, Mis’ Morse,” she said. “You cheer up, now.”

“Yeah,” said Mrs. Morse. “Sure.”


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