Have found a super field – rather far from here though – cycling all day with M., Fri. 12 Nov. Incredible how difficult it is to find a decent landing field for the SOE. It’s all so samey, farm after farm, shrines at every crossroad and a community bread oven in every village. The fields are so flat you could land anything anywhere. But there are never any good night-time landmarks or any kind of cover for a reception team. Must be lovely flying in peacetime.
I have been in France five weeks now.
My legs are stronger than they’ve ever been – cycled a good 60 miles twice this week, once to find the field and again two days later to take Paul to see it. He needs to get his w/op to send an RAF plane to take pictures for Moon Squadron approval. In between marathon bicycle rides I spend most of my time taking care of chickens, learning how to wire up small explosive devices and trying hard not to suddenly scream my head off with nerves.
The broadcaster Georgia Penn has had a ‘no’ from the head of the Gestapo in this region – a powerful and terrible man, called Ferber, I think, the Ormaie captain’s boss. Penn has let us know she plans to ignore his refusal and try again by going straight to the captain – she’ll backdate her application, tie them up in their own red tape, right hand not knowing what the left hand is doing. An amazing woman, but totally crackers, if you ask me – hope her own right hand knows what her left hand is doing.
Another Lysander pick-up is planned for tomorrow night, Tues. 16 Nov., at the same pylon-infested field near Tours. Weather unpredictable, but it’s the last chance before we lose the November moon. I may go home with my munitions expertise untested.
No, I am still here. Dratted Rosalie.
Can’t blame the poor car, I suppose, but don’t like to blame the stupid, well-meaning driver.
Oh, I’m tired. Moonrise at 10 p.m. last night so plane not due in till 2 in the morning – Paul came to collect me after curfew and we bicycled to meet the car, him cycling and me riding behind him standing on a bar wedged through the frame. Had to cling to him for dear life for 5 miles, bet he loved that. The car was late meeting us – the driver had to avoid an unexpected patrol – Paul and I stood for half an hour shivering and stamping around in the drainage ditch where we hid the bicycle. Don’t know when my toes have ever been so cold, standing in icy mud, mid-November, in wooden clogs – thought so much of Jamie floating in the North Sea. I was nearly crying by the time the car arrived.
There were only three of us along for this trip – dangerous in both directions, didn’t want to drag Papa Thibaut into it. His friend who owns the motor car set off at top speed, full out and going like the clappers, no lights as usual except the waning gibbous moon on the rise. The Rosalie really did not want to go like the clappers and performed its usual consumptive drama every time we came to an uphill slope, coughing and gasping like a dying Dickens heroine, and finally just stopped – engine still gasping a bit, but the car just stopped. Simply could not move forward up the hill. Choke full out, but cylinders firing pathetically as though we were trying to make the poor thing run on nothing but air.
‘Your choke’s not working,’ I said from the back seat.
Of course the driver didn’t understand me and I didn’t know the French for choke and neither did Paul – ‘Le starter’ it turns out, which is not the same as ‘the starter’ that might turn on your English engine. Unbelievable confusion followed. Paul tried desperately to translate and the driver resisted taking advice from a Slip of a Lass or whatever the French is for ‘Slip of a Lass’. I’m sure the direct translation in any language is more or less ‘Featherbrain’ as it’s what I get called whenever I’m expected not to be able to do whatever it is – fly a plane, load a gun, make a bomb – fix a car – so we lost fifteen minutes arguing.
Finally, as it was dead obvious that the choke wasn’t working, the driver jiggled it about violently enough that something finally slid back into place and after a few healthier-sounding coughs, the Rosalie reluctantly set off again.
This whole routine was repeated detail for detail THREE MORE TIMES. FOUR TIMES IN TOTAL. The car stopped, I said the choke wasn’t working, Paul tried to translate without success, we all argued for 15 minutes, Papa Thibaut’s friend jiggled the choke lever for a while, and finally the Rosalie wheezed into life and trundled off again.
We had now lost AN HOUR, A SOLID HOUR, and I was fuming. So was the French driver, who was tired of being shouted at in English by a Slip of a Lass younger than his own daughter. Every time we moved off again Paul would reach back and give my knee a reassuring squeeze, till finally I thumped him and told him to keep his mucky hands to himself, so that even when the car was moving, we were all growling at each other like tomcats.
I was no longer afraid of being caught by the Nazis or worried that we’d be too late for the Lysander pick-up – both of which were more and more likely the longer we were on the road. I was just mad as a hornet because I knew what was wrong with the car and they wouldn’t let me do anything about it.
When the car stopped for THE FIFTH TIME, I climbed over Paul and got out.
‘Don’t be an idiot, Kittyhawk,’ he said through his teeth.
‘I will WALK to this airfield,’ I said. ‘I know the coordinates and I have a compass. I will WALK there and if I am too late to meet the plane I will WALK back to Ormaie, but if you EVER want me to get in this French car, EVER AGAIN, you are going to have to make that French MORON who is driving it open up the engine cowling so I can fix the choke RIGHT NOW.’
‘My God, we haven’t time for that – we’re an hour and a half late already – ’
‘OPEN THE COWLING OR I WILL SHOOT IT OPEN.’
I didn’t mean that. But it was an inspired threat, mostly because it gave me the idea of levelling my Colt .32 at the driver’s head and making him get out of the car.
He didn’t even turn the ignition off – the engine was still gasping as we pried up the side panel of the bonnet with the tin-opener on Etienne’s Swiss knife. All was inky pitch-black beneath it. The driver cursed and complained, but Paul murmured reassuring words to him in French, as I was clearly set on getting my own way. Got one of them to hold an electric torch for me while the other made a tent with his jacket to hide the light. Oh – the screw that held the cable to the choke valve had come loose – PROBABLY WITH ALL THAT BLASTED JIGGLING – the flap that is supposed to close over the air feed to the carburettor wasn’t closing properly, and all I had to do was tighten the screw with my wizard pocket screwdriver nicked from the Nazis.
I slammed the bonnet shut, leaned in the driver’s door and yanked the choke on, and the engine roared into life like a zooful of happy lions.
Then I climbed back into my maidenly spot in the back seat and didn’t say anything else till we got to the field, half an hour after the plane had left. Most of the reception committee had left too, only a couple of them still waiting for us to turn up in case something awful had happened to us.
I was too mad this time to think of Dorothy at the end of The Wizard of Oz. I gave the poor Rosalie such a kick in the front mudguard that I made a dent in it with my wooden clog. Everyone was shocked. Apparently I’ve got a reputation for being quiet and a bit weepy – in a word, they think I’m gormless.
Paul again, explaining: ‘They couldn’t have waited – it’s so late now it’ll be daylight by the time they get back to England. They couldn’t risk being caught over France in daylight.’
Then I felt dead selfish and bossy and mean, and tried to apologise to Papa Thibaut’s mate, in my rubbish French, for denting his fender.
‘No, no, it is I who must thank you, Mademoiselle –’ says he, in French ‘– for you have mended my choke!’ And he held the door open for me gallantly. No suggestion that he had wasted yet another night risking his life for an ungrateful foreigner who would never be able to repay him – the Aerodrome Drop-Off Principle taken to extremes.
‘Merci beaucoup, je suis désolée –’ Thank you so much, I’m sorry, I’m sorry – seems like I’m always saying ‘Thank you, I’m sorry.’
One of the reception committee stuck his head into the car after me. ‘The Scottish airman said to give you these.’
Jamie left me his boots.
True to my reputation for gormlessness I blubbed most of the way back to Ormaie. But at least my feet were warm.
Penn’s found her. Georgia Penn’s FOUND HER! Julie disappeared 13 Oct. and Penn talked to her yesterday, 19 Nov. NEARLY SIX WEEKS.
I don’t recognise any of my emotions any more. There’s no such thing as plain joy or grief. It’s horror and relief and panic and gratitude all jumbled together. Julie’s alive – she’s still in Ormaie – she’s in one piece, in her usual battle gear, every elegant hair swept neatly into place 2 inches above her collar, she’s even still managing to do her blooming nails somehow.
But she is a prisoner. They caught her almost immediately. She looked the wrong way before crossing the street, typical Julie. Oh – I don’t know whether to laugh or to cry. So fed up with crying all the time, but too upset to laugh. If she’d had the right ID on her when they first questioned her she might have got away with it. She didn’t stand a chance without ID.
Miss Penn had asked if she could interview an English-speaker and they got to talk face to face, under guard, and Penn verified Julie by her code name. She wasn’t told Julie’s real name. Don’t know what excuse they gave, Penn came away fairly well convinced the whole interview set-up was a complete sham, and Julie herself was being kept on a tight rein somehow. Invisible, but there. I suppose Julie knew that if she stepped out of line they’d silence Penn too – I know Julie would never risk that. She didn’t even go against orders and say her name, all information was passed in hints and code words. The captain and slave-girl were both there, and one or two others, and they all sat around drinking cognac – except the slave-girl of course! – in the captain’s dead swanky office where Julie has been temporarily put to work as a translator. So in fact she’s actually doing what she was sent here to do!
No name given, no military service or rank mentioned – she introduced herself to Penn as a wireless operator. She has told the Nazis she’s a wireless operator. MADNESS – that’s not why she’s here and so now they’ve gone to a lot of effort to get code out of her – Penn hadn’t any doubt they’d got code out of her, must be obsolete or invented, but definitely something they can try to work with. Penn thinks that’s exactly why she told them she was a w/op – they call it W/T in SOE, wireless telegraphist: so she could give them code. It’s more common for a girl in SOE to land in France as a courier, but if Julie had told them she was a courier they’d have grilled her about her circuit – obsolete code is safer to betray, I suppose, than real live people. And it’s straight truth in terms of Julie’s original training and her WAAF commission, and it goes along with the pictures they took at the crash site, which they’ve certainly shown her by now. As long as they’re focused on her non-existent wireless activities they won’t ask her about Operation Blow-Up-the-Ormaie-Gestapo-HQ or whatever it’s really called.
Penn was shown only a few of the administrative offices and an empty dorm room with 4 tidy beds in it – no contact with any other prisoners and no sign of the conditions they’re kept in. Julie gave her some clues. She said
She
Julie was
– BLAST IT. Fly the plane, Maddie.
—
I WILL NOT CRY.
I got to talk to Miss Penn myself. Mitraillette and I met her by a little pond in a posh residential area of Ormaie and sat on a bench winding yarn while we talked, one of us girls on each side of Miss Penn and a canvas bag in her lap full of worn-out woolly socks to be unravelled. She must have looked like our nanny, she’s nearly a foot taller than either of us. She talked and we kept dipping into the bag for more yarn while we listened. Suddenly in the middle of her report, as I reached for another sock, Miss Penn took hold of my hand and held it tight. Just mine, not Mitraillette’s, don’t know how she guessed that I was the one who’d take it hard. A bit of an interrogator herself, now that I think about it – same job as the rest of them, pulling sensational stories out of reluctant sources. They all do it differently, but it’s the same job. And Julie, also an expert, made it easy, volunteering information that Penn didn’t ask for.
‘You feeling brave, Kittyhawk?’ Penn said, holding my hand tightly.
I gave her a sort of grimace of a smile. ‘I suppose.’
‘There’s no nice way to tell you this,’ Penn said, and her crisp, no-nonsense American voice was angry. We waited.
Penn told us quietly, ‘She’s been tortured.’
Couldn’t answer for a minute. Couldn’t do anything.
Probably seemed quite sullen – not surprised really, but Penn was so frank it felt like being hit in the face. Finally I croaked stupidly, ‘Are you sure?’
‘She showed me,’ Penn said. ‘She was pretty clear about it. Adjusted her scarf as soon as we’d shaken hands – gave me a good look. Ugly row of narrow, triangular burns across her throat and collarbone, just beginning to heal, looked like it had been done with a soldering iron. More of the same all along the insides of her wrists. She was very clever about showing me, cool as you please, no drama about it. She’d give her skirt a twitch as she crossed her legs, or let her sleeve ruck back as she took a cigarette, only moving when the captain was looking somewhere else. Ghastly bruises on her legs. But the marks are fading now, must have all been done two or three weeks ago. They’ve eased off on her, don’t know why – she’s made some kind of deal with them, that’s for sure, or she wouldn’t still be here. You’d have thought by now Ormaie would have either got what they wanted out of her or given up.’
‘Made a deal with them!’ I choked.
‘Well, some of us manage to pull it off.’ Miss Penn gently guided my hand back to the bag of socks. Then she confessed, ‘Hard to tell what your friend thinks she’s doing though. She was – she was focused. She didn’t expect to hear her own code name come up in the conversation and it shook her, but she didn’t – you know, she didn’t hint at rescue – I think she’s still dead set on completing her assignment, and has reason to believe she can do it from inside.’ Miss Penn gave me a sideways glance. ‘Do you know what her assignment was?’
‘No,’ I lied.
‘Well,’ Miss Penn said, ‘here’s what she told me. Maybe you can make something of it.’
But I can’t. I don’t know what to do with any of it. It’s like – it must be like palaeontology. Trying to put a dinosaur together based on a few random bones and you don’t even know if they’re all from the same kind of animal.
I’ll write down what Julie’s given us though – perhaps Paul will make sense of it –
1) The building the Gestapo use in Ormaie has got its own generator. Penn was complaining about power cuts, and how annoying it is not to be able to count on electricity when you work in radio, and Julie said, ‘Well, here we make it ourselves.’ How like her to talk as if she’d become one of them. Like the time she took me to see Colonel Blimp and sat there weeping all through the scene where the imprisoned German officers are listening to Mendelssohn.
2) The fuse box is under the grand staircase. Miss Penn didn’t say how our Julie managed to communicate that. Did also mention:
3) It is a known fact that the Nazis have a wireless office across the square from the Gestapo HQ, in the town hall, and according to Julie this must be because there is no regular broadcasting set-up in the Château de Bordeaux building – Penn thinks because the walls are too thick for good reception, but I reckon the generator interferes with the reception more than the walls. This information was passed dead casually. SOE call radio work ‘arthritis’, easy peasy. Can just imagine Julie. Studying her nails. ‘Fortunately I don’t suffer from stiff joints. No one does here. How these Nazis would take advantage!’
4) Penn also found out a lot about the slave-girl secretary. Julie thinks she is about to have a crisis of conscience which we might be able to take advantage of – suggests we watch her and make it easy for her to find a Resistance contact when she’s ready.
It boggles me trying to think how Julie managed to communicate all this with the Gestapo captain listening. Apparently they were speaking English and the slave-girl had to translate for the captain, so either she just didn’t get it or she put up with it, which partly proves Julie’s point. Julie calls her ‘the angel’ – ‘l’ange’ – dead embarrassing if you ask me, no wonder the poor girl keeps mum. It’s masculine too, in French, not just a plain noun like it is in English. It is a direct translation of her surname, Engel, from the German.
Sometimes Julie used to make me jealous – her cleverness, her ease with men, how posh she is – the grouse-shooting and the Swiss school and speaking three languages and being presented to the King in a blue silk ball gown – even her MBE, after she caught those spies, like being knighted, and especially her term at Oxford – and I HATE MYSELF for ever having thought any of it was worth envying.
Now all I can think of is where she is and how much I love her. And I start to cry again.
I dreamed I was flying with Julie. I was taking her home, flying up to Scotland in Dympna’s Puss Moth. We were heading up the coast along the North Sea, the sun hanging low in the west – sky and sea and sand all gold, gold light all around us. No barrage balloons or anything, just empty sky like in peacetime. But it wasn’t peacetime, it was now, late November 1943, with the first snow on the Cheviot Hills in the west.
We were flying low over the long sands at Holy Island, and it was beautiful, but the plane kept trying to climb and I was fighting and fighting to keep it down. Just like the Lysander. Scared and worried and tired all at once, angry at the sky for being so beautiful when we were in danger of crashing. Then Julie, sitting alongside me, said, ‘Let me help.’
In the dream, the Puss Moth had dual controls side by side like a Tipsy, and Julie took hold of her own control column and gently pushed the nose forward, and suddenly we were flying the plane together.
All the pressure was gone. Nothing to be afraid of, nothing to battle against, just the two of us flying together, flying the plane together, side by side in the gold sky.
‘Easy peasy,’ she said, and laughed, and it was.
Oh Julie, wouldn’t I know if you were dead? Wouldn’t I feel it happening, like a jolt of electricity to my heart?
Amélie has just seen an execution at the Château de Bordeaux. Château des Bourreaux is what everybody calls it now – Castle of Butchers. The kids here get Thursday off school instead of Saturday, and Amélie had gone into Ormaie with a couple of her chums to a cheap café they like, which happens to be at the end of the lower lane at the back of the Gestapo building. Amélie and her friends were sitting in the café window and noticed a crowd gathering in the lane – being kids they piled along to see what was going on – turns out those bastards had got a guillotine rigged up in their rear courtyard and were executing people –
The kids saw. They didn’t know what was going on or they’d have never gone to look, Amélie says, but they arrived just as it was happening and they saw it. SAW IT HAPPEN. She has been sobbing her heart out all evening, impossible to comfort her. They saw a girl killed and Amélie recognised her from her school, though the girl had been a few years ahead of Amélie and had already finished – what if it had been Beryl? Or Beryl’s sister? Because that’s what it’s like, schoolmates being guillotined as spies. I didn’t understand before – really didn’t understand. Being a kid and worrying that a bomb might kill you is terrible. But being a kid and worrying that the police might cut your head off is something else entirely. I haven’t words for it. Every fresh broken horror here is something I just DIDN’T UNDERSTAND until I came here.
When I was eight, before the Depression, we had a holiday in Paris – I remember bits of it, we took a boat trip on the Seine, and we saw the Mona Lisa. But the thing I remember most is how Granddad and I went to the top of the Eiffel Tower. We took the lift up, but we walked the whole way down, and on the way we stopped at the First Stage and we could see Gran standing in the park below, wearing a big new hat she’d bought that morning, and we waved at her – she looked so posh, all alone in the Champ de Mars, that you’d have never known she wasn’t French herself. She took a picture of us and though we were so far away and tiny you can’t see us in the picture, I know we are there. And I remember also there was a shop, way up there on the First Stage, and Granddad bought me a tiny gold Eiffel Tower on a gold chain as a souvenir, and I still have it, back home in Stockport.
It wasn’t so long ago. What is happening to us?
Maman Thibaut has been dosing Amélie with café au lait at the big kitchen table, Mitraillette and I taking turns holding her tight and exchanging horrified glances over her head. She won’t stop talking. I only get every third word or so. Mitraillette whispers a rough translation –
‘Il y en avait une autre – there was another. Il y avaient deux filles – there were two girls – La Cadette et ses amies n’ont rien vu quand on a tué l’autre –’
They didn’t see the second girl executed. It was torment for all of us, dragging this information out of La Cadette. There were two girls brought there together, tied to each other. The second had to stand and watch as they butchered the first – so close, they made her stand so close that Amélie said the blood spattered on her face. Then they closed the gates. Over the courtyard wall Amélie and her friends saw them raising the blade again and that was when they left.
The second girl was Julie. Certain of it. There can’t be another petite blonde in a pullover the colour of autumn leaves being held prisoner in the Ormaie Gestapo HQ. Amélie saw her.
But I don’t believe they killed her either. I just don’t believe it. I keep thinking of those pictures of the pilot. They must have shown Julie those pictures by now, and perhaps she thinks I’m dead. But I’m not. And it’s the same for her, I’m sure of it. It might look like she’s dead, but she’s not. They’ve got a reason to fake her death now, since Georgia Penn talked to her this week and they need to re-establish their – supremacy or whatever, their control over what everybody knows or doesn’t know. That captain/commander must be in trouble – he went behind his superior’s back to let Penn in. Perhaps he’s been told to kill Julie. But I think he’s just as likely been told to stage her death, so she disappears again. Sharing cognac with her and sending her to the guillotine in the same week? I just don’t believe it.
I WANT TO BLOW THAT PLACE APART.
Planes go over almost every night – there are some munitions factories working for the Germans and launch sites here in France that they are desperate to put out of action. They won’t drop a bomb in the middle of Ormaie, not on purpose, for fear of hitting civilians. They have hit the railway junction here and had a go at the factories to the north of the city though I don’t think Ormaie carries on any significant manufacture apart from umbrellas. But the RAF won’t bomb the middle of the city. It’s why Julie was sent here, so we could get at it from the ground. Not many people here know the RAF is trying to avoid hitting them – no one feels safe. The Americans dropped some bombs on Rouen in broad daylight. People panic when they hear the air-raid sirens and dive for shelter just like we did back in the Manchester Blitz. But nothing ever hits the centre of Ormaie.
Sometimes I wish it would – just one great big blast to wipe out the Castle of Butchers. I want that evil place to go up in flames. I want it so badly it hurts. Then I remember that Julie is still inside.
I don’t believe she’s dead, I don’t believe any of their bluff and lies and bullying threats. I don’t believe she’s dead and I WON’T believe she’s dead until I hear the shots MYSELF and see her fall.