— Bud, Not Buddy —
by Christopher Paul Curtis

Afterword

Hi, this is Christopher Curtis. ALTHOUGH BUD, NOT BUDDY is fictional, many of the situations Bud encounters are based on events that occurred in the 1930s, during a time known as the Great Depression. And although the characters in Bud, Not Buddy are fictional as well, some of them too are based on real people. One of the most enjoyable parts of writing is that an author can combine his or her imagination with the traits of real people to build new characters. That is what I did to create the characters of Lefty Lewis and Herman B. Calloway, both of whom are based loosely on my grandfathers.

My mother's father, Earl "Lefty" Lewis, was one of six or seven redcaps who worked at the train station in Grand Rapids, Michigan, during much of the depression. The jobs of Pullman porter and redcap were among the few open to African American men at that time and carried a certain prestige in the black community. Nonetheless, they were extremely difficult jobs, often marked by eighty-hour workweeks, low salary and virtually no job security. These men could be fired for simply not looking happy enough.

Grandpa Lewis did exceptionally well during the depression, supporting his family on the tips he received as a redcap. My mother remembers that my grandmother used to have to sew reinforced linings into the pockets of all Grandpa's pants because the weight of the pennies, nickels, dimes and occasional quarters that he was given as tips would eventually rip the seams out. She also remembers the leathery texture Grandpa's hands took on from carrying so much baggage at the station.

As the depression deepened, the Grand Rapids train station cut back to two redcaps, and Grandpa was let go. He briefly opened a small restaurant and finally became the first African American cabdriver in Grand Rapids, a job he held until his retirement in 1972 at seventy-four years old.

Earl "Lefty" Lewis also pitched for many years in the minors of the Negro Baseball Leagues. His fondest memory of that time was pitching twice against Satchel Paige. As he did with most opposing pitchers, Satch hung Grandpa with two losses.

My father's father, Herman E. Curtis, was indeed a big bandleader for most of his adult life. He headed many different musical groups, my favorite being Herman E. Curtis and the Dusky Devastators of the Depression!!!!!!—a name that by itself deserves all six of those exclamation points! Grandpa attended the Indiana Conservatory of Music and was a classically trained violinist. He also played the bass fiddle, the accordion and the piano.

Entertainment was an important part of life during the depression, for people wanted to forget their troubles by going to the movies, sitting around the radio, and listening and dancing to live music. Grandpa and his bands were well known throughout Michigan during this time.

Being an orchestra leader was Grandpa Curtis's night job. By day he wore many different hats, among them those of a chauffeur, boat captain, and truck painter. He owned several businesses in Grand Rapids and Wyoming, Michigan, at a time when laws prohibited African Americans from renting or holding title to land in these two cities. Grandpa did this by having a white friend put his name on all records.

The flexibility, people skills, hustle and willingness to work around unfair laws and situations that both of my grandfathers used allowed them to keep their families together during one of America's bleakest periods, a time that was especially hard on African Americans. Both of these men were fortunate and skilled enough to avoid the brunt of the Great Depression.

The lives of Earl "Lefty" Lewis and Herman E. Curtis and the situations described in Bud, Not Buddy are the exception, for the great majority of people suffered horribly during the period between 1929 and 1941. Parents often could not feed their children, so countless thousands of young people, some as young as eight years old, were abandoned or had to set out on their own in search of a meal and a warm place to sleep. These children survived the brutal life on the road by riding the rails, picking fruit, doing odd jobs, begging, stealing or whatever was necessary to get food.

Much of what I discovered about the depression I learned through research in books, which is a shame—I didn't take advantage of the family history that surrounded me for many years. I'm afraid that when I was younger and my grandparents and parents would start to talk about their lives during the depression, my eyes would glaze over and I'd think, "Oh, no, not those boring tail tales again!" and I'd find the most convenient excuse I could to get away from them. Now I feel a real sorrow when I think of all the knowledge, wisdom and stories that have been forever lost with the deaths of my grandparents.

Be smarter than I was: Go talk to Grandma and Grandpa, Mom and Dad and other relatives and friends. Discover and remember what they have to say about what they learned growing up. By keeping their stories alive you make them, and yourself, immortal.